This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
This collection of essays concerns itself with “emergent literacy” in two senses. Its authors explicitly investigate the experiences of very young children as they gain awareness of and access to printed forms of communication. But in the process, it also reveals that scholars in children's literature and human development are constantly finding new layers, forms, and even ways of describing the process of decoding meaning in the physical world and/or social interactions. These essays repeatedly represent children struggling to master categories of description and representation, including those of language, while the authors resist the taxonomic limits arising from prior studies’ assumptions and conclusions about what emerging literacy practices look like, and when children become capable of them. They should find a ready audience under the umbrella of childhood studies. Moreover, a strong tendency toward reflexivity helps this collection reposition literacy as a “keyword” in a wide range of disciplinary discussions, in continuation of the project initiated by Raymond Williams in
The volume's contents derive from papers initially presented at an international conference organized by the editor, and held at the Bilderbuchmuseum in der Burg Wissem (Picture Book Museum in Castle Wissem) in Troisdorf, Germany. As Bettina Kümmerling-Meibauer points out in her helpful introduction, she and her co-authors were inspired by a flurry of recent scholarship on picture books and constructions of literacy. However, they seek primarily to redress a
As the preceding might suggest, the resulting collection is eclectic. For instance, Martin Roman Deppner's essay on “Parallel receptions of the fundamental: Basic designs in picturebooks and modern art,” and Cornelia Rémi's on “Reading as playing: the cognitive challenge of the wimmelbook” share an emphasis on formal analysis and textual comparisons. Based primarily on close reading and suppositions about interpretation, their approach stands in contrast with the focus on observations of readerly behavior that characterizes Annette Werner's “Color perception in infants and young children: The significance of color in picturebooks” and “‘This is me’: Developing literacy and a sense of self through play, talk and stories” by Janet Evans. Beyond the introduction, it is unlikely that any particular chapter will engage every member of the broad audience that the volume attracts in the aggregate. That was probably inevitable, given its self-proclaimed status as “the first serious, sustained examination of the study of children's books for children aged from 0 to 3” (Kümmerling-Meibauer 9). Quantitative studies from linguists and behavioral psychologists are interspersed, without apparent prejudice, among more anecdotal and humanistic approaches to semiotics. An essay on “Toilet training picturebooks in Japan,” by Kyoko Takashi and Douglas Wilkerson, was engaging in its own right, and valuable because it represented the concept of scientific literacy in a volume otherwise largely preoccupied with visual literacy. At the same time, that chapter reflects the editor's tendency to value an essay's intrinsic interest over rigorous thematic coherence. However, there is some imposed structure; the book as a whole is divided into three sections: “Premises of Early Literacy,” “Picturebooks for Children under Three,” and “Child-book Interactions: Case Studies.” These groupings construct a loose progression from interrogating assumptions about what “emergent literacy” lookslike, to detailing its features and the often-idiosyncratic practices of children or baby book designers, to finally concluding with four case studies that effectively reiterate the appeal of more work in this rich vein.
This last group of “case studies” demonstrates the variability in individual experiences of emerging into literacy particularly well. For instance, the essay from Kerstin Nachtigäller and Katharina J. Rohlfing discusses a study of “Mothers’ talking about early object and action concepts during picturebook reading.” They repeatedly observed a group of caregiver–child dyads in the act of reading a concept book together, and concluded that “a good storyteller is able to elaborate on any book content” (Nachtigäller and Rohlfing 206). They also made tentative attempts to describe how variables like parents’ education or income level can affect the
Indeed, the interdisciplinary scope of this collection becomes most apparent when its authors elaborate on proposed terms like “early-concept book,” offered as a subset of the too-general “baby book” (Kümmerling-Meibauer and Meibauer 92); or misunderstood terms like “wimmelbook,” which Rémi distinguishes from “puzzle” or “game” books (117). Even the usage of a familiar term like “metaphor” is subjected to cogent analysis (Rau 143). Similarly, the collection reveals the tensions and trade-offs between choosing to focus on texts rather than users (or population subsets), and vice versa: the “transaction” between reader and text famously described by Louise Rosenblatt (1978) can sometimes be lost between the literary critic and the developmental psychologist, and integration is sincerely attempted here. But